Publications

Back to the Future – im Karussell der Diakonservierung/ Riding the Slide Carousel, editors Barbara Sommermeyer, Claartje van Haaften. Hamburger Kunsthalle, Kerber Verlag, Berlin (2019)
Future Talks 017 - Visions. Innovation in Technology and Conservation of the Modern, Die Neue Sammlung, Munich (2019), editorial team
"Fusion amoureuse et esthetique par le dessin et l'art urbain", Ella & Pitr - Comme des Fourmis, Éditions Alternatives (2017), p. 18-22
Future Talks 015 - Process. The Making of Design and Modern Art - Materials, Technologies and Conservation Strategies, The International Design Museum, Munich (2017), editorial team
Barbara Sommermeyer, Claartje van Haaften, “Examining the digital future of analogue slide-based artworks at the Hamburger Kunsthalle”, Studies in Conservation, 61: sup 2 (2016), p. 219-226
Retouching imitation 'gold' paint in modern paintings by Rudolf Stingel", The Picture Restorer Nr 46, Spring 2015, p.18-21, colour plates p. 28
Future Talks 013 - Lectures and Workshops on Technology and Conservation of Modern Materials in Design, The International Design Museum, Munich (2015), editorial team
“Bisschen Schwund is’ immer!”, Konturen des Kunstwerks. Zur Frage von Relevanz und Kontingentz, editors Frédéric Döhl, Daniel Martin Feige, Thomas Hilgers, Fiona McGovern. Wilhelm Fink Verlag (2013), p. 209-228
Future Talks 011 - Technology and Conservation of Modern Materials in Design, The International Design Museum, Munich (2013), editorial team
Future Talks 009 - The Conservation of Modern Materials in Applied Arts and Design, The International Design Museum, Munich (2011), editorial team
“Beelden met een ‘Berlijns tintje’?” kM kunstenaars Materiaal, Dutch journal for artists and conservators, 55 (2005), p. 16-19
“Operation Panamarenko”, Modern Art, New Museums, editors Ashok Roy und Perry Smith, IIC 20th International Congress, London/Bilbao (2004), p. 82-85
“Operatie Panamarenko”, kM Kunstenaars Materiaal, Dutch journal for artists and conservators, 48 (2003), p. 6-9
“The training program in conservation of modern art at the Limburg Conservation Institute”, Plastics in Art; History, Technology, Preservation, editors Thea van Oosten, Yvonne Shashoua, Friederike Waentig. Technical University Cologne, Siegl Munich (2002), p. 45-51
“Onderzoek naar de sterkte van lijmen”, kM Kunstenaars Materiaal, Dutch journal for artists and conservators, 34 (2000), p. 36-37